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La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus)

Bolt after Kinninger, pictured in Schiedermair Iconography on plate Mozart ; ridotto per il cembalo da G. However, the late sonatas, such as K are full of surprises, and here the influence of Haydn is to the fore — even predicting Beethoven in passages. Mozart exploited the new instruments to maximum effect in his concertos and his sonatas. Wolfgang Amadeus Mozart Artist: Andante Tema con variazioni Allegro con spirito Andante un poco adagio Andante cantabile con espressione Andante con espressione Allegretto - Trio [ Subscribe to our channel: Andatino - Allegretto 2: Minuetto con variazione 2: Tempo di menuetto 3: Adagio - Allegro 3: Adagio non troppo 4: Adagio - Allegro spiritoso 4: Andante con moto 4: Wolfgang Amadeus Mozart — was a prolific and influential composer of the Classical era.

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Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position.

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While visiting Vienna in , he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, operas, and portions of the Requiem, which was largely unfinished at the time of his death. He wrote more than works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music.

He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Tempo di menuetto Allegro ma non troppo 1: Andante un poco sostenuto 2: Sony ''When I began to explore Mozart, I discovered the infinite beauty of that music, and somehow it is given to me to give life to that beauty. I find it my God-given duty, privilege, and if you like, cross, to consecrate my life to this music. It is an important representative piece of the early Romantic period, and is still very popular with concert audiences worldwide.

The first performance took place at the Paris Conservatoire in December The work was repeatedly revised between and and subsequently became a favourite in Paris. The symphony is a piece of program music which tells the story of "an artist gifted with a lively imagination" who has "poisoned himself with opium" in the "depths of despair" because of "hopeless love. Sextus 's innocence? Reassure me. Sextus was the author of the cruel plot.

The Senate has condemned him, with his accomplices, to be thrown to the wild beasts. Here is the terrible, but just, decree; giving the paper to Titus only the Emperor's name, my lord, is lacking. He is the brother of my dear bride.

La Clemenza di Tito, K. 621; No. 15: Act II, Coro: Ah, grazie si rendono Titus

Ah, take counsel, my lord, of your heart: deign to look upon our grief. What treachery! What black disloyalty! To pretend friendship and be always at my side; at every moment exacting from me some token of love, and meanwhile plotting my death! And I still delay the punishment and do not sign the sentence?

Ah yes, let the miscreant die! He shall die … but am I sending Sextus to his death without hearing him? Yes; the Senate has already heard enough. Yet suppose he had some secret to reveal to me? Ho there!

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He puts down his pen; a guard enters Let him be heard, and then he can go to execution. Bring Sextus to me. How unhappy is the fate of those who reign! To us is denied what is given to the lowliest. That needy peasant in the depths of the woods, whose rough sides are clad in coarse wool, whose shapeless hovel is an unreliable shelter from the inclement elements, sleeps peacefully, passes his days in tranquillity. He asks little: he knows who hates him, who loves him: in company or alone he goes safely to the forest and to the mountain, and sees everyone's hearts mirrored in their faces.

Ah, ye stars, where has his usual mildness gone? Now he makes me tremble! Are these then the features of Sextus? O how a crime can transform a face! If he feels such torment, he still loves him. A dying man could not suffer more. Open your heart to Titus; confide in your friend. I ask this at least in return for friendship,. Either displease Titus or accuse Vitellia. SEXTUS That I am the object of the gods' wrath; that I no longer have the strength to face my fate; that I confess myself a traitor, call myself a villain; that I deserve death and desire it.

And you shall have it! Unworthy of pity, it is true, I ought only to inspire horror. Yet you would be less harsh if you could read my heart.

In despair I go to death, but dying does not affright me. The thought that I was a traitor to you tortures me! I must avenge his disregard and scorn for my clemency.

Rolando Villazon – Mozart: La clemenza di Tito (2018) [Official Digital Download 24bit/96kHz]

Can the heart of Titus nurture such feelings? Well, let him live Then do the laws mean nothing? He sits down Sextus is guilty: Sextus shall die. He signs But then I do violence to my feelings. Shall I at least be sure that others will approve? Ah, let me not forsake my usual path And if the world wants to accuse me of some failing, let it accuse me of mercy, throwing away the torn sheet not of harshness.

TITUS If a hard heart is necessary to a ruler, ye benevolent gods, either take the empire from me or give me another heart. If I cannot assure the loyalty of my realms by love, I care not for a loyalty that is born of fear. What love! What faith! Annius, Servilia, let us go. But where can I go like this without thought? Oh, how like to cruelty is this useless pity that you feel. Sextus, who loves you more than his own life, who for your sake committed a crime, who obeyed you, cruel one, and adored you, unjust as you are; who in the face of death remains so true to you, while you, aware of this, calmly go to Caesar's bridal bed?

Ah, I should always see Sextus near me and fear the breezes and the stones might speak and betray me to Titus. Let me go and confess all at his feet. Let Sextus's crime, If it cannot be forgiven, be lessened through my guilt. Ah farewell, hopes of dominion and marriage! Bound in harsh, cruel chains, I see death advance towards me. O wretched me! How horrible! Ah, what will be said of me?

Yet he who could see my distress would have pity on me. Already in the arena can be seen the accomplices in the plot, who have been condemned to be thrown to the wild beasts. During the following chorus Titus enters, preceded by lictors, surrounded by the Praetorian Guard. After him, Annius and Servilia.

CHORUS That you are the care, the darling of heaven and of the gods, great hero, has been shown in the brief course of this day. But there is no cause for wonder, fortunate Augustus, that the gods thus watch over one so like them. Yet you know that I am the sole object of your treachery: now listen. I conceived the plot. I seduced from you your most faithful friend: I took advantage of his blind love for me. I thought that this was love. I hoped for your hand and the throne as a gift from you, and then I was repeatedly passed over, and sought revenge.

At the very moment that I absolve one wrongdoer, I discover another? When, just gods, shall I find a loyal soul? I believe the stars conspire to oblige me, despite myself, to turn cruel. No: they shall not have this satisfaction. My strength is already pledged to continue the contest. Let us see whether others' perfidy or my clemency will be the more enduring. Release Sextus: Lentulus and his followers shall again enjoy life and liberty. Be it known in Rome that I am the same, that I know all, forgive everyone and forget it all. Who ever attained such heights? His supreme goodness draws tears from my eyes.

Of what can you complain? Who ever suffered torments like mine! At the end of the chorus Annius and Sextus enter from opposite sides. All leave the atrium: there remain only Titus, Sextus and Annius. What do you say? Have you no answer? Am I dreaming or awake? This is the sole fruit, etc.

Now it is forbidden to call me so. I Caesar's bride? But why?